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Across 1. Editing a clip on a frame-by-frame basis, or editing clips in relationship to one another. 7. The change from one video clip to another. 8. The instantaneous, direct switch from one picture to another. 9. The color portion of a video signal. 10. The proportional height and width of the picture on the screen. 12. Usually a long-shot (LS) at the beginning of a scene which is intended to inform the audience about a changed locale for the scene which follows. 14. All pictorial material recorded by a camera. 19. This refers to certain video you collect and is any video that isn't the main action 20. Random-access editing of video and audio on a computer, enabling edits to be processed and reprocessed at any point in the timeline, at any time. 22. Video amplification of signal strength. 23. A sequence or multiple sequences of related shots, usually constituting action in one particular location. 24. The shot that contains all of the action in a sequence when shooting for editing with a single camera. 25. A small, easily concealed, microphone, typically attached to clothing or worn around the neck for interview settings. 27. Cutaway view showing someone's or something's response to primary action/subject. 30. Personal sound effects, like footsteps, breathing or punches used to heighten realism that are added in post production. 31. The amount of space within the view of the lens which will maintain an acceptable focus. 35. The amount of light available in a shot at particular lens settings. 36. A method of recording in which samples of the original analog signal are encoded on tape or disk as binary information for storage or processing. 37. A shot that is turned approximately 180 degrees in relation to the preceding shot. 38. The stage of a film or video project during which previously shot footage is edited and assembled. 39. A single frame of video repeated so it appears to have no motion. 40. The degree to which your video contains very dark and very light luminance value. 45. Narration added over video. 46. Video industry term for the tape containing the finished (edited) program. 47. An individual shot. 51. The phase of a film or video project that involves shooting or recording raw footage. 52. Lens capable of extreme closeup focusing, useful for intimate views of small subjects. 54. This refers to the variable opening inside a lens that regulates the amount of light available to the camera. 55. Amount of picture detail reproduced by a video system, influenced by a camera's pickup, lens, internal optics, recording medium, and playback monitor. The more detail, the sharper and better defined the picture. 56. The process of sending video over the Web or other networks to allow playback on the desktop as the video is received, rather than requiring the entire file to be downloaded prior to playback.

Down 2. A cut made during action or movement between two shots in which the action has been overlapped, either by repetition of the action or by the use of more than one camera. 3. A single shot inserted into a sequence of shots that momentarily interrupts the flow of action, usually introducing a pertinent detail. 4. Alternating views of one action with views of another. 5. The process in which your mind makes sense of incomplete visual information by mentally projecting the image beyond the borders of the frame. 6. Technically, it’s the distance from a camera's lens to a focused image with the lens focused on infinity. 11. Circuitry used to ensure that video and audio output signals are maintained at constant levels in the face of widely varying input signal levels. 13. An editing method whereby related shots are inserted into a series of other shots for the purpose of contrast or for some other effect. 15. A generic term for the people or creatures assuming primary on-screen roles when videotaping. 16. The portion of a television picture that extends beyond the normal screen size. 17. A video signal in which the luminance and chrominance elements have been combined into formats, such as VHS. 18. A production crew stagehand responsible for handling equipment, props, and scenery before, during, and after production. 19. Video image imperfection characterized by blurring of color borders. 21. The chief lighting technician for a production who is in charge of the electrical department 26. Original, unedited film or video footage that has not been modified 28. Circuitry that monitors light levels and adjusts camcorder iris accordingly, compensating for changing light condition. 29. Act of composing a shot in the camcorder's viewfinder for desired content, angle, and field of view -- overall composition. 31. This type of light gives the illusion that it originates from many directions. 32. The planning phase of a film or video project, usually completed prior to shooting (production). 33. Relationship between a master video recording and a given copy of that master. 34. An optical effect in which the image of a scene is gradually replaced by a uniform dark area, or vice versa. 39. The backward or forward movement through audio or video material via a mouse, keyboard, or other device. 40. Light-sensitive computer chip in video cameras that converts images into electrical flows. 41. An imaginary line drawn between two subjects, or along a line of motion to maintain continuity of screen direction. 42. Movie Shot perspective whereby the camera assumes the subject's view, and thus viewers see what the subject sees as if through his/her/its eyes. 43. Camera lens with a long focal length, narrow horizontal field of view. 44. Distortion to a picture or a sound signal. 48. The assembly of shots and the portrayal of action or ideas through the use of many short shots. 49. A term used in gathering video and editing. It refers to a series of related shots. 50. Undesirable video or audio signal interference; typically seen as snow, heard as hiss. 53. Text or graphics -- usually special announcements -- that move across the screen horizontally, typically from bottom right to left.