| Across |
| 4. | A Catholic English composer of motets and a few masses in the time of Elizabeth I |
| 8. | An English composer famous for the madrigal "Fair Phyllis" |
| 10. | A sacred form of polyphonic 'a cappella' music for the worship of the Catholic Church in the Middle Ages and Renaissance |
| 11. | the texture when there are many independent parts overlapping with different rhythms |
| 12. | the name given to sacred chant in the Middle Ages |
| 13. | the secular music of the Middle Ages was often ...... music which told a macrabre or strange story |
| 15. | the technique of overlapping the entries of parts |
| 17. | the texture of Gregorian chant |
| 20. | A Spanish composer of motets and masses in the time of Palestrina (late Renaissance) |
| 21. | the language of most Gregorian chant and motets |
| 22. | Victoria wrote a motet "O Magnum ......" |
| 24. | A sacred form of unaccompanied vocal music with overlapping parts in the Renaissance and late Middle Ages |
| 25. | An English composer of motets including "If Ye Love Me" |
| 26. | the texture when all the vocal parts move together in the same rhythm on different notes |
| 27. | chant where there is only one note per syllable like in many settings of the gospel readings. |