Down |
1. | the various methods authors use to reveal a character's make-up, both physical and psychological |
2. | the emotinal quality or atmosphere of work |
3. | language that express one thing in terms of something else; language that isn't literal |
4. | sequence of events that create the mounting tension leading to the climax |
5. | "word pictures" or writing that evokes images |
6. | a reference in the story to something outside the story, typically biblical, historical, or literary |
7. | something that retains its own meaning but also comes to stand for something larger than itself |
8. | storyteller stands outside the story but sees into the mind of more than one character; may know things about characters that characters themselves don't know |
10. | characters based on generalization that are supposedly characteristic of a particular group |
11. | vantage point from which the story is told: relationship of storyteller to the story |
12. | when the audience knows what characters do not and characters reveal their igorance through actions or thoughts |
17. | a contrast or discrepancy between what appears or should be real and what actually is real |
18. | a simple story which is meant to teach a moral lesson |
20. | an exaggeration for effect |
22. | storyteller stands outside the story but sees into the mind of one character only |
23. | central character of a story |
26. | a situation or statement that seems impossible or contradictory but is nevertheless true |
27. | the central problem of the story |
30. | written language that is not versified; all written language that is not poetry |