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Literary Terms

Rebecca

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Across
1.moment of highest intensity;point at which the conflict is definitively faced
9.a comparison between two radically different things without using like or as
13.the use of clues by the author to prepare readers for later events
14.the final unraveling of the plot, a.k.a. falling action
15.a figure of speech in which human qualities are given to non-human entities
16.an interruption in the chronological order of a narrative to show something that happened earlier
19.when a story's outcome is radically different from what is expected
21.category or type of literature
24.to say the oposite of what one means, but to say it in a way that conveys its opposite
25.an "I" tells the story; the storyteller is in the story
28.conversation between two characters
29.the sudden intuitive recognition of the meaning or essence of something, that "Eureka" moment
31.the introduction to the story, setting plus any additional background information
32.sequence of related events which compromise the story
33.a comparison between two rdically different things using "like" or "as"
34.central message or issue addressed in a work of literature
35.sometimes called a blocking character; rival of the central character
Down
1.the various methods authors use to reveal a character's make-up, both physical and psychological
2.the emotinal quality or atmosphere of work
3.language that express one thing in terms of something else; language that isn't literal
4.sequence of events that create the mounting tension leading to the climax
5."word pictures" or writing that evokes images
6.a reference in the story to something outside the story, typically biblical, historical, or literary
7.something that retains its own meaning but also comes to stand for something larger than itself
8.storyteller stands outside the story but sees into the mind of more than one character; may know things about characters that characters themselves don't know
10.characters based on generalization that are supposedly characteristic of a particular group
11.vantage point from which the story is told: relationship of storyteller to the story
12.when the audience knows what characters do not and characters reveal their igorance through actions or thoughts
17.a contrast or discrepancy between what appears or should be real and what actually is real
18.a simple story which is meant to teach a moral lesson
20.an exaggeration for effect
22.storyteller stands outside the story but sees into the mind of one character only
23.central character of a story
26.a situation or statement that seems impossible or contradictory but is nevertheless true
27.the central problem of the story
30.written language that is not versified; all written language that is not poetry

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