Across |
6. | a reference to a familiar literary or historical person or event. |
7. | The running over of the sense and structure in a live of verse or a couplet into the following verse or couplet |
8. | The two lines of peotry with the same rhyme and meter |
9. | a lyric peom that concerns a single, serious theme. Most are addressed to an object or individual. |
11. | use of words alike in sound, different in meaning; can be spelled the same or differently. |
14. | inversion of the natural or usual word order |
15. | use of a word understood differently in relation to two or more other words, which it modifies |
18. | Insertion of some verbal unit in a position that interrupts the normal syntactical flow of the sentence |
19. | Repetition of words derived from the same root |
21. | an inscription on a tomb or tombstone written on the occasion of the person's death. |
24. | Placing side by side two coordinate elements, the second of which serves as an explanation or modification of the first |
25. | The release or purging of unwanted emotions |
26. | Words whose sounds express or suggest their meaning. |
28. | A fleet of ships – forty sails |
29. | The selection and arrangement of words in a literary work. |
34. | The impression that a word gives beyond its defined meaning. |
35. | a poetic device where the first consonant sounds or vowel sounds are repeated. |
37. | a statment that appears illogical or contradictory at first, may may actually point to an underlying truth. |
39. | language that is understood by a select group of pepole. |
40. | Aspects of work that seem to be true to the reader. Realistic characters |
42. | When the audience of a play or reader of a work of literature knows something that a character in the work does not. (2 Words) |
43. | First eight lines in an Italian sonnet |
44. | "Good musicians they are. Clean and neat in appearance they are not." |
47. | A method of presenting a logical argument; a major premise, a minor premise, and a conclusion. |
48. | A word, phrase, or form of pronunciation that is acceptable in casual conversation. |
51. | Sentences composed in the same grammatical structure |
53. | An imitation of a serious literary work |
54. | a novel in the form of letters (2 Words) |
55. | “Are all thy conquests, glories, triumphs, spoils, Shrunk to this little measure?” |
56. | deliberate omission of a word or of words which are readily implied in the context |
57. | A theme, character type, image, or other elements that recurs throughout a work of literature. |