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Art History. Chapters 1-10

Nicholas Stanko

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Across
2.ch. 8 - gothic building characteristic
4.ch. 2 - hue, value, intensity
6.ch. 10 - ____ renaissance. aesthetics, classical antiquity
10.ch. 9 - masaccio used for the first time in painting
13.ch. 8 - revolutionized medieval painting
15.Arnolfini Wedding. 1434
16.ch. 4 - ____ art. influenced picasso and matisse
19.ch. 6 - greek art. male figure
22.ch. 8 - renaissance building characteristic
23.Full Fathom. 1947
24.Campbell’s Soup Can. 1964
25.ch. 4 - ____ art. simplicity of design/form
29.ch. 2 - from a mold
30.Reclining Figure Single-Leg. 1976-1977
33.ch. 9 - 16th c. subjective expression, distorted figures
35.ch. 2 - forming
37.ch. 5 - ____ art. stylized, little detail, profile, simple form
39.ch. 8 - romanesque art associated with
40.Mona Lisa. 1503-1506
41.ch. 6 - ____ balance, unity. greek art/life
42.ch. 2 - sculpture, cutting away
43.The French Ambassadors. 1533
47.ch. 5 - first known artist
48.ch. 2 - communicate feelings
50.ch. 6 - greek art. female figure
52.Annunciation. 1333
53.Pieta. 1499-1500
55.ch. 9 - strong contrast of dark and light values
56.ch. 6 - ____ order. tall, slender, ornate capitals
57.ch. 9 - study of humanity, its writing and activities
58.ch. 3 - ____ artworks. proper proportions
62.David. 1430-1432
63.Giant Three-Way Plug. 1970
64.ch. 7 - ____ cross. four arms equal length
66.ch. 3 - ____ artworks. distortion, emotional
67.ch. 7 - golden age of ____. 5th and 6th c.
69.ch. 4 - ____ printing. first encyclopedia
70.ch. 4 - geometric surface decortations
72.ch. 4 - ____ buddhism, islam. african and asia religions
76.ch. 2 - ____ design. balance, unity, emphasis, etc.
78.ch. 4 - 17th c. european art, color and light
79.ch. 4 - great ____. housed in toda-ji
80.ch. 5 - ____ art. frontality and stylization
81.Peasant Wedding. 1566
82.ch. 10 - Jan van ____. excelled at portraying light
83.ch. 1 - religious images
Down
1.The Thinker. 1879-1889
3.Lamentation (The Pieta). 1305-1306
4.ch. 1 - art that reproduces nature perfectly
5.ch. 4 - s. indian hindu pyramidal tapered gateway towers
7.ch. 7 - center of christian activities. st. peter and st. paul
8.ch. 2 - supreme subject, aesthetic and sensuous form
9.ch. 10 - ____ renaissance. nature, realistic
11.View of Toledo. 1600-1610
12.Christ Raising Lazarus from the Dead
14.ch. 6 - ____ order. sturdy columns, no base, simple
17.ch. 4 - dominant force in african tribal life/society
18.The Studio. 1927-1928
20.ch. 7 - ____, experssionistic, 2d. byzantine art
21.The Hunters in the Snow. 1565
24.ch. 5 - venus of ____. fertility and plentiful food
26.ch. 2 - ____ design. line, shape, form, texture, etc.
27.ch. 1 - personal response to art
28.ch. 4 - scene of mary and christ. italian
29.ch. 2 - said painting is more important than subject
31.ch. 9 - perspective, mantegna mastered
32.ch. 9 - 14th to 16th c. rebirth of cultural awareness
34.Creation of Adam. 1511
36.ch. 8 - 12th to 15th c. europe art. religious architecture
38.ch. 9 - human figure, weight in balance
41.ch. 9 - dominant art form of the renaissance
43.Early Sunday Morning. 1930
44.ch. 8 - ____ cross. vertical longer than horizontal
45.ch. 2 - simplication of subject matter
46.ch. 6 - greek sculpture. action and motion
49.ch. 7 - ____ art. oriental decoractions, animal forms
51.ch. 8 - 11th and 12th c. western europe art
53.ch. 9 - giorgione mastered in painting
54.ch. 9 - brush strokes are left visible
59.Last Supper. 1495-1498
60.ch. 4 - art of writing
61.Birth of Venus. 1482
65.ch. 9 - ____ sailed to the new world. 1492
66.ch. 7 - not the goal of early christian art
68.ch. 2 - sculpture, piecing together
71.ch. 4 - golden age of buddhist indian art
73.ch. 10 - unique feature of holbein's, french ambassadors
74.ch. 6 - ____ art. geometric, black lines, dots, dark age
75.ch. 8 - romanesque building characteristic
77.ch. 6 - ____ order. base, slender, lighter

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