1
			2										3
					4
			5
												6
		7			8
9
10
		11
																12
13											14
15
16

Across 2. Sought the most dramatic subjects to represent and Embraced the exotic, foreign, and intensely emotional 4. Led by Courbet, was offensive to the aristocratic high society. Was advocated by teh writer, Emile Zola. Strived to achieve the most accurate rendering of life b choosing subject matter relevant to social issues of its time 5. His work experienced an infusion of color and life after he moved from Holland to France 6. Motion, captured in frozen time, often exemplified by the photographic snapshot, was a primary concern of which artist 8. Painted portraits of "low class" members of society 10. Embraced ideals of classical concepts and is best represented by the works of David 11. Which two artists demonstrated diametrically opposing views of war in their work 14. Was particularly concerned with the plight of the urban poor 15. Was more influential on later generations of artists than on his own. Was self-trained and incapable of achieving accurate reproduction of images 16. Rodin's sculpture that was accepted by the Salon of 1877. Sculpture that was thought to be cast from a live model. Rodin's Sculpture that referenced Michelangelo in its amplified expressiveness.

Down 1. Le Dejeuner Sur L'Herbe was the shared title of similar paintings by which three artists 3. He is widely regarded as the most important French artist of the 20th century.Searched for an "essence" in his subjects through simplification toward shape and color.Said that "instinct must be thwarted" to create better art.Explored primitivism in his works 7. Artist who often lent or leased out his outdoor studies to other artists who could not afford to head to the country to paint 9. Wanted to be accepted by the French Academy. Created great scandal during his life. Never exhibited with the Impressionists. Was heavily influenced by previous Spanish masters 12. His reduction of objects into 2-dimensional flattened.His writings which offered guidelines to new theories of art. His compositional arrangements based more off of 13. Can be regarded as the ultimate