| Across |
| 4. | The use of phrases, clauses or sentences that are similar complementary in structure or in meaning |
| 8. | A literary composition, usually a novel or a play written in three parts |
| 9. | Two consecutive lines of poetry that rhyme |
| 12. | Weakness or flaw of a character |
| 14. | Literary work that mocks a person, place, thing or idea using irony sarcasm and understatement |
| 15. | A drama written to be read rather than acted on a stage |
| 16. | A fourteen line lyric poem |
| 17. | Relies on slapstick and horesplay |
| 20. | A series of difficulties forming the cenral action in a narrative |
| 22. | Comedy that involves ridiculous or hilarious complications without regard for human values |
| 23. | Involves a love affair but meets with various obstactles |
| 25. | A major division in the action of a play |
| 27. | unrealistic devices or procedures that the reader or audience agrees to accept |
| 28. | A story acted out, usually on a stage |
| 33. | Is an unstressed syllable followed by a stressed syllable |
| 37. | A descriptive adjective or phrase used to characterize someone or something |
| 39. | Light play with a happy ending |
| 40. | A stanza or three lines |
| 43. | The differences between what is said or believed and what is actually the truth |
| 44. | Plays almost no attention to human values, no literary value |
| 45. | Poetry that nas no fixed meter or pattern and that dpends on the natural speech rhythms |
| 46. | A nineteen-line lyric poem that relies heavily on repetition |
| 47. | poetry that expresses a speaker's personal thoughts or feelings |
| 48. | The end |
| 49. | Words spoken by a character in a play, not intended to be heard by other characters on stage |
| 50. | Persona |
| 51. | A greater regular pattern of stressed syllables in poetry |
| 52. | A group of lines formng a unit in a poem |
| 53. | A word, phrase, line or group of lines repeated regularly in a poem |
| 54. | Articles or objects that appear on stage during a play |