| Across |
| 1. | Rehearsing without a script |
| 4. | A group of performers who work together as a team to create a total effect rather than individual performances |
| 7. | A short play with a beginning, middle, and end usually with no change of scenery or intermission |
| 8. | Notes in a script of a play indicating stage business and blocking |
| 11. | Sneaky villains, and overprotective fathers, that are immediately recognizable by an audience |
| 13. | The person who develops the artistic plan that creates the world of the play |
| 16. | a scene for two people |
| 18. | The information put out before an audience that gives the where, when, why and who facts of the play |
| 20. | The non-Acting aspects of putting on a play or performance |
| 22. | what the play means as opposed to what happens in it |
| 23. | The person around whom the action revolves |
| 25. | The directors Liaison backstage |
| 27. | A division of a particular form of art |
| 30. | A form of drama in which the main character suffers disaster |
| 31. | The final rehearsal prior to opening night in which the show is run with full technical elements |
| 33. | Angling the body slightly toward the audience while still presuming to face the character you are still in conversation with |
| 34. | The stance of a character |
| 35. | The moment at the conclusion of a performance when the cast bows to the audience in acknowledgement of their applause |
| 37. | The person or force working against the protagonist in a play |
| 38. | The major action of a play and one of two elements out which most scripts grow |