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Across 1. During the Middle Ages, _______ were not permitted to sing in church 3. Much of the instrumental music composed during the Renaissance was intended for 6. a leading English composer of lute songs was 8. A virtual monopoly on learning during the Middle Ages was held by 9. Josquin Desprez was a contemporary of 14. gregorian chant consists of melody sung without 17. The form of the chant Alleluia: Vidimus stellam is 18. this was the most popular instrument in the Renaissance home 19. the lute accompaniment is subordinate to the 20. The Council of ______ attacked the church music of the Renaissance because it used secular tunes, noisy instruments, and theatrical singing 23. most medieval music was 26. The two forms of sacred renaissance music are the mass and the 27. The madrigal anthology The Triumphes of Oriana was written in honor of 28. the troubadour and trouveres wrote ______________ music. 30. This chant is monophonic in texture 31. What is the name of a medieval dance 33. During the Renaissance every ___________ person was expected to read musical notation, play a musical instrument, & be skilled in dance

Down 2. this is a piece for several solo voices set to a short poem, usually about love 4. An outstanding composer of the ars nova was 5. church officials expected monks to sing with proper 7. 1st important composers known by name, indicated time values and meter in music, and were the leaders of the school of Notre Dame 10. 30. The earliest extant liturgical morality play, Ordo virtutum (Play of the Virtues), was composed by 11. One of the major characteristics of ars nova music is its use of 12. c. polyphonic choral work set to a sacred Latin text other than the ordinary of the mass 13. The church frowned on instruments because of their earlier role in _______ rites 15. the music the Medieval monks sang was called 16. the person that gregorian chant is named after 18. A versatile plucked string instrument with a body shaped like half a pear, popular during the Renaissance, was the 21. one of a number of women troubadours. 22. The texture of Renaissance music is chiefly 24. the basic scales of western music during the middle ages were called the 25. The French _________ songs of the Middle Ages usually dealt with the crusades, spinning, & love 29. the leading music center in sixteenth-century Europe was 32. The two types of services at which monks and nuns sang were theoffice and the _______.