Across |
4. | (1) The quality of a verb that indicates whether its subject acts (active voice) or is acted upon (passive voice).(2) The distinctive style or manner of expression of an author or narrator. |
5. | Extending a metaphor so that objects, persons, and actions in a text are equated with meanings that lie outside the text. |
7. | (1) A short inscription in prose or verse on a tombstone or monument.(2) A statement or speech commemorating someone who has died: a funeral oration. |
8. | The specialized language of a professional, occupational, or other group. |
9. | Vivid descriptive language that appeals to one or more of the senses. |
12. | A verbal pattern in which the second half of an expression is balanced against the first but with the parts reversed. |
17. | The repetition of a word or phrase at the end of several clauses. (Opposite of anaphora) |
18. | A figure of speech in which a part is used to represent the whole or the whole for a part. |
19. | A figure of speech in which one word or phrase is substituted for another with which it is closely associated (such as "crown" for "royalty"). |
21. | The emotional implications and associations that a word may carry. |
23. | The omission of conjunctions between words, phrases, or clauses (opposite of polysyndeton). |
24. | A literary/artistic work that imitates the characteristics of another for comic effect or ridicule. |
25. | The formation or use of words that imitate the sounds associated with what they refer to. |
28. | Characteristic of writing that seeks the effect of informal spoken language as distinct from formal or literary English. |
29. | A figure of speech consisting of an understatement in which an affirmative is expressed by negating its opposite. (He is not unpopular.) |
30. | An instance of using a word, phrase, or clause more than once in a short passage. |
31. | The noun or noun phrase referred to by a pronoun. |
32. | A text or performance that uses irony, derision, or wit to expose or attack human vice, foolishness, or stupidity. |
34. | A writer's attitude toward the subject and audience. Tone is primarily conveyed through diction, point of view, syntax, and level of formality. |
35. | The use of a word to modify or govern two or more words."He carried a strobe light and the responsibility for the lives of his men." (Tim O'Brien, The Things They Carried. McClelland & Stewart, 1990) |
36. | A figure of speech in which an inanimate object is endowed with human qualities or abilities. |
38. | Narrowly interpreted as those figures that ornament speech or writing; broadly, as representing a manifestation of the person speaking or writing. |
39. | The repetition of the same word or phrase at the beginning of successive clauses or verses. |
40. | The connection between two parts of a piece of writing, contributing to coherence. |
41. | A person, place, action, or thing that (by association, resemblance, or convention) represents something other than itself. |