| Across |
| 6. | The “big” beat |
| 9. | Composer who wrote operas and then oratorios |
| 11. | She was a composer, healer, and feminist in the middle ages |
| 13. | The highest singing voice |
| 14. | Term for a span of pitches in a song from the lowest to the highest |
| 15. | One of the first notated rounds |
| 17. | He helped break down musical racial barriers |
| 19. | Comedic Italian opera |
| 23. | Madrigals often used the technique of _______ |
| 24. | A tonality that is often described as sad, spooky, scary |
| 26. | Two eighth notes equal one __________________ |
| 27. | The text of an opera |
| 28. | The first note of a major scale |
| 29. | A highly emotional song in an opera |
| 30. | A melody that moves by small intervals is said to be this |
| 33. | The little beat |
| 34. | Beethoven wrote nine of these |
| 38. | Don Giovanni’s sidekick |
| 39. | A repeated pattern in music (Pachelbel used this) |
| 40. | The first accented beat of a group of beats |
| 41. | The space in music notation that is between two barlines |
| 42. | Organizing patterns of rhythmic pulses |
| 43. | "English" name for Rigoletto composer |