Medieval Theatre
Sandra Camphor
Terms and elements of medieval theatre
| o | y | h | a | e | e | a | e | p | d | f | s | l | n | r | l | y | l | n | s | k | w | e | p | m | e | t | l |
| t | n | i | v | o | r | g | o | g | n | i | e | v | s | l | a | o | e | g | m | m | a | o | a | n | e | i | e |
| e | l | d | e | q | m | a | o | s | i | y | u | a | e | l | a | m | s | a | f | s | p | o | o | l | c | w | y |
| c | l | h | s | u | i | w | e | m | k | r | n | o | p | e | s | e | s | s | r | s | n | t | l | e | a | s | c |
| s | h | l | c | s | n | o | i | s | n | a | m | n | a | r | o | q | t | e | r | r | s | a | n | k | n | o | u |
| i | s | e | u | q | s | a | m | l | a | u | o | u | e | d | u | t | g | e | o | e | d | s | e | r | v | d | d |
| n | e | s | s | l | t | i | o | m | m | i | e | t | u | e | e | e | y | t | r | u | e | f | l | e | e | e | o |
| t | l | m | l | t | r | a | r | m | s | g | s | g | o | r | h | a | a | p | s | l | i | s | n | a | e | m | b |
| e | c | n | a | r | e | v | e | s | r | e | p | f | o | e | l | t | s | a | c | e | h | t | o | p | t | s | r |
| r | y | g | m | a | l | r | a | l | c | e | b | a | e | p | a | a | l | i | l | y | r | m | g | n | c | l | o |
| l | c | n | u | l | s | p | c | i | p | l | o | u | g | h | m | o | n | d | a | y | p | l | a | y | s | t | g |
| u | k | i | a | p | e | c | e | y | a | s | u | n | o | o | h | o | c | l | c | t | a | h | w | p | p | f | c |
| d | r | g | l | h | h | l | t | c | c | r | i | a | h | c | r | y | p | y | i | m | c | b | t | r | a | o | a |
| e | o | a | t | r | f | g | k | h | r | l | a | t | i | h | c | y | c | s | y | l | u | y | n | i | r | l | e |
| s | y | t | h | o | v | n | a | g | l | a | e | n | c | l | t | l | l | s | a | s | a | a | a | d | t | k | t |
| s | h | s | l | i | e | a | v | o | k | e | f | a | e | i | e | e | t | c | c | b | i | a | e | e | h | p | e |
| a | l | r | r | s | l | e | r | t | a | e | h | t | l | a | v | e | i | d | e | m | l | p | g | o | o | l | s |
| a | a | o | s | e | y | t | o | b | e | r | r | a | m | e | r | g | a | u | i | s | s | n | a | f | m | a | f |
| e | t | b | o | r | s | a | o | s | r | o | r | y | r | e | r | m | i | r | a | c | l | e | p | l | a | y | i |
| o | i | i | l | d | i | l | l | e | u | o | s | f | q | u | e | m | q | u | a | r | e | i | t | i | s | s | r |
| c | p | n | l | o | l | p | a | p | m | t | o | t | t | h | e | f | o | u | r | p | s | r | l | f | n | s | s |
| u | h | h | o | i | a | t | e | r | e | r | s | i | o | n | e | s | o | f | i | r | s | e | e | e | o | a | u |
| i | i | o | y | s | c | r | l | r | e | l | l | i | v | k | c | a | s | s | a | m | o | h | t | o | r | l | y |
| u | s | o | l | t | n | l | y | t | h | l | c | l | d | r | e | u | c | a | l | y | h | u | e | l | t | a | e |
| c | y | d | l | e | m | p | s | a | s | r | o | y | y | y | m | r | n | a | h | o | j | n | a | h | o | j | n |
| p | s | i | m | r | l | a | e | e | a | s | q | l | c | a | l | l | p | m | a | p | e | o | i | t | n | q | a |
| p | l | r | n | a | m | y | r | e | v | e | o | m | k | l | i | n | c | y | l | o | i | a | m | i | t | p | a |
| t | r | e | y | t | s | e | m | a | a | l | p | a | f | q | e | m | i | c | i | i | d | n | p | l | s | t | a |
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| liturgical chant | quem quareitis | medieval theatre | | Miracle play | Mystery play | mystere | | cycle plays | York Cycle | Chester Cycle | | Wakefield Cycle | Coventry Cycle | Morality Play | | Pride of Life | The Castle of Perseverance | Mankind | | Everyman | staging | Mansions | | Platea | pageant wagon | Interludes | | Chronicles | Masques | Masque of Blackness | | Farce | Johan Johan | The Four Ps | | Folk plays | Robin Hood | Plough Monday Plays | | Mummers Plays | The Passion Play | Oberramergau | | minstrels | strolling players | Master of Revels | | Earl of Leicesters Men | troupe | Ralph Roiser Doister | | Nicholas Udall | Gorboduc | Thomas Sackville | | Thomas Norton | license | Thomas Preston |
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