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Across 2. ch. 8 - gothic building characteristic 4. ch. 2 - hue, value, intensity 6. ch. 10 - ____ renaissance. aesthetics, classical antiquity 10. ch. 9 - masaccio used for the first time in painting 13. ch. 8 - revolutionized medieval painting 15. Arnolfini Wedding. 1434 16. ch. 4 - ____ art. influenced picasso and matisse 19. ch. 6 - greek art. male figure 22. ch. 8 - renaissance building characteristic 23. Full Fathom. 1947 24. Campbell’s Soup Can. 1964 25. ch. 4 - ____ art. simplicity of design/form 29. ch. 2 - from a mold 30. Reclining Figure Single-Leg. 1976-1977 33. ch. 9 - 16th c. subjective expression, distorted figures 35. ch. 2 - forming 37. ch. 5 - ____ art. stylized, little detail, profile, simple form 39. ch. 8 - romanesque art associated with 40. Mona Lisa. 1503-1506 41. ch. 6 - ____ balance, unity. greek art/life 42. ch. 2 - sculpture, cutting away 43. The French Ambassadors. 1533 47. ch. 5 - first known artist 48. ch. 2 - communicate feelings 50. ch. 6 - greek art. female figure 52. Annunciation. 1333 53. Pieta. 1499-1500 55. ch. 9 - strong contrast of dark and light values 56. ch. 6 - ____ order. tall, slender, ornate capitals 57. ch. 9 - study of humanity, its writing and activities 58. ch. 3 - ____ artworks. proper proportions 62. David. 1430-1432 63. Giant Three-Way Plug. 1970 64. ch. 7 - ____ cross. four arms equal length 66. ch. 3 - ____ artworks. distortion, emotional 67. ch. 7 - golden age of ____. 5th and 6th c. 69. ch. 4 - ____ printing. first encyclopedia 70. ch. 4 - geometric surface decortations 72. ch. 4 - ____ buddhism, islam. african and asia religions 76. ch. 2 - ____ design. balance, unity, emphasis, etc. 78. ch. 4 - 17th c. european art, color and light 79. ch. 4 - great ____. housed in toda-ji 80. ch. 5 - ____ art. frontality and stylization 81. Peasant Wedding. 1566 82. ch. 10 - Jan van ____. excelled at portraying light 83. ch. 1 - religious images

Down 1. The Thinker. 1879-1889 3. Lamentation (The Pieta). 1305-1306 4. ch. 1 - art that reproduces nature perfectly 5. ch. 4 - s. indian hindu pyramidal tapered gateway towers 7. ch. 7 - center of christian activities. st. peter and st. paul 8. ch. 2 - supreme subject, aesthetic and sensuous form 9. ch. 10 - ____ renaissance. nature, realistic 11. View of Toledo. 1600-1610 12. Christ Raising Lazarus from the Dead 14. ch. 6 - ____ order. sturdy columns, no base, simple 17. ch. 4 - dominant force in african tribal life/society 18. The Studio. 1927-1928 20. ch. 7 - ____, experssionistic, 2d. byzantine art 21. The Hunters in the Snow. 1565 24. ch. 5 - venus of ____. fertility and plentiful food 26. ch. 2 - ____ design. line, shape, form, texture, etc. 27. ch. 1 - personal response to art 28. ch. 4 - scene of mary and christ. italian 29. ch. 2 - said painting is more important than subject 31. ch. 9 - perspective, mantegna mastered 32. ch. 9 - 14th to 16th c. rebirth of cultural awareness 34. Creation of Adam. 1511 36. ch. 8 - 12th to 15th c. europe art. religious architecture 38. ch. 9 - human figure, weight in balance 41. ch. 9 - dominant art form of the renaissance 43. Early Sunday Morning. 1930 44. ch. 8 - ____ cross. vertical longer than horizontal 45. ch. 2 - simplication of subject matter 46. ch. 6 - greek sculpture. action and motion 49. ch. 7 - ____ art. oriental decoractions, animal forms 51. ch. 8 - 11th and 12th c. western europe art 53. ch. 9 - giorgione mastered in painting 54. ch. 9 - brush strokes are left visible 59. Last Supper. 1495-1498 60. ch. 4 - art of writing 61. Birth of Venus. 1482 65. ch. 9 - ____ sailed to the new world. 1492 66. ch. 7 - not the goal of early christian art 68. ch. 2 - sculpture, piecing together 71. ch. 4 - golden age of buddhist indian art 73. ch. 10 - unique feature of holbein's, french ambassadors 74. ch. 6 - ____ art. geometric, black lines, dots, dark age 75. ch. 8 - romanesque building characteristic 77. ch. 6 - ____ order. base, slender, lighter