| Across |
| 2. | The glory that was Greece, the grandeur that was Rome. (literary device) |
| 5. | saying less than is true. |
| 6. | Veni, vidi, vici. - Julius Caesar (literary device) |
| 7. | an event or scene taking place before the present time is inserted into the chronological structure of a text |
| 8. | a simplified and standardized conception or image invested with special meaning and held in common by members of a group: ie: The cowboy and Indian |
| 9. | Reason is to faith as the eye to the telescope. D. Hume (literary device) |
| 10. | the author's view of the characters and events. |
| 11. | attribution of personality to an impersonal thing |
| 13. | the people in the story |
| 16. | the point in the story when the characters try to solve the main problem |
| 19. | the final resolution of the intricacies of a plot |
| 23. | expression of something which is contrary to the intended meaning; the words say one thing but mean another |
| 24. | the way in which the story ends |
| 25. | England expects every man to do his duty. Lord Nelson (literary device) |
| 27. | exaggeration for emphasis or for rhetorical effect |
| 28. | Opposition, or contrast of ideas or words in a balanced or parallel construction |
| 31. | a person to whom secrets are confided or with whome private matters and problems are discussed |
| 32. | The substitution of an agreeable or at least non-offensive expression for one whose plainer meaning might be harsh or unpleasant. |
| 36. | style of speaking or writing as dependent upon choice of words |
| 37. | to present an indication or a suggestion of beforehand |
| 39. | something used for or regarded as representing something else |
| 41. | the time and place in which the story takes place |
| 43. | a figure of speech in which what is said is the opposite of what is meant |
| 45. | apparent paradox achieved by the juxtaposition of words which seem to contradict one another. |
| 47. | She has passed away (died) (literary device). |
| 48. | What a pity that youth must be wasted on the young. George Bernard Shaw (literary device) |
| 50. | universal inclusiveness in scope or range; unbounded versatility. |
| 52. | an assertion seemingly opposed to common sense, but that may yet have some truth in it. |
| 53. | Brutus: Not that I loved Caesar less, but that I loved Rome more. Shakespeare, Julius Caesar (literary device) |
| 54. | reference to something else, usually some other literature. |