| Across |
| 1. | The second voice added above the foundation note |
| 4. | The most musically elaborate of the Liturgy of the Hours |
| 5. | Liturgy of the hours prayed at mid-afternoon, around 3 PM |
| 6. | Plagal mode of the fourth authentic church mode |
| 8. | Liturgy of the hours prayed at noon |
| 11. | The third part of the ordinary of the Mass, "We believe in one God...:; Four words |
| 15. | Liturgy of the hours prayed at mid-morning, around 9 AM |
| 16. | Religious music in the Middle Ages was almost entirely ____________, or sung. |
| 20. | Liturgy of the hours prayed just after midnight |
| 21. | Secular musicians from the Southern part of France |
| 22. | Earliest polyphony, created by adding a second voice part to a chant |
| 26. | Music written in strophic form and based on folk tunes, meant to be sung by a congregation |
| 27. | Music where two or more melodic lines are played or sung |
| 29. | The first part of the ordinary of the Mass, "Lord have mercy"; two words |
| 30. | The fourth part of the ordinary of the Mass, "Holy, Holy, Holy" |
| 32. | Fourth authentic church mode |
| 35. | The plagal mode of the first authentic |
| 36. | Second authentic church mode |
| 38. | First authentic church mode |
| 39. | Each of the four church modes occurs in two different versions, the authentic and the __________. |
| 41. | Type of music which developed as the vocal lines became freer |
| 42. | From the French word for "to hold", the long sustained foundation note |
| 43. | The Catholic church service |
| 44. | The fifth part of the ordinary of the Mass, "Lamb of God"; Two words |