| skull | | ch. 1 - art that reproduces nature perfectly |
| romanesque | | The Thinker. 1879-1889 |
| abstraction | | ch. 5 - first known artist |
| byzantine | | ch. 3 - ____ artworks. proper proportions |
| painterly | | ch. 8 - 12th to 15th c. europe art. religious architecture |
| bruegel | | ch. 7 - not the goal of early christian art |
| icons | | ch. 8 - revolutionized medieval painting |
| light | | ch. 8 - romanesque building characteristic |
| experssionist | | ch. 10 - ____ renaissance. nature, realistic |
| hinduism | | ch. 2 - ____ design. line, shape, form, texture, etc. |
| foreshortening | | ch. 7 - ____, experssionistic, 2d. byzantine art |
| japanese | | ch. 2 - hue, value, intensity |
| preromanesque | | ch. 5 - ____ art. frontality and stylization |
| pollock | | ch. 8 - renaissance building characteristic |
| michelangelo | | ch. 6 - greek art. male figure |
| picasso | | ch. 9 - human figure, weight in balance |
| rome | | ch. 2 - sculpture, piecing together |
| proportion | | ch. 2 - ____ design. balance, unity, emphasis, etc. |
| warhol | | ch. 2 - forming |
| holbein | | ch. 4 - ____ buddhism, islam. african and asia religions |
| davinci | | ch. 4 - ____ art. influenced picasso and matisse |
| modeling | | ch. 2 - said painting is more important than subject |
| martini | | Creation of Adam. 1511 |
| hellenistic | | Arnolfini Wedding. 1434 |
| african | | ch. 4 - art of writing |
| rodin | | The French Ambassadors. 1533 |
| moore | | ch. 6 - ____ order. tall, slender, ornate capitals |
| imhotep | | ch. 6 - ____ order. sturdy columns, no base, simple |
| gopuram | | ch. 2 - supreme subject, aesthetic and sensuous form |
| humanism | | ch. 2 - communicate feelings |
| latin | | ch. 1 - religious images |
| religion | | ch. 9 - 14th to 16th c. rebirth of cultural awareness |
| duccio | | ch. 6 - ____ order. base, slender, lighter |
| mood | | ch. 4 - 17th c. european art, color and light |
| oldenburg | | ch. 7 - ____ art. oriental decoractions, animal forms |
| classic | | ch. 9 - ____ sailed to the new world. 1492 |
| additive | | ch. 6 - ____ art. geometric, black lines, dots, dark age |
| doric | | ch. 9 - study of humanity, its writing and activities |
| eyck | | ch. 9 - 16th c. subjective expression, distorted figures |
| refined | | ch. 4 - s. indian hindu pyramidal tapered gateway towers |
| elements | | ch. 6 - greek sculpture. action and motion |
| dibutsu | | ch. 4 - golden age of buddhist indian art |
| arabesques | | ch. 1 - personal response to art |
| botticelli | | ch. 9 - perspective, mantegna mastered |
| subtractive | | ch. 4 - geometric surface decortations |
| donatello | | ch. 8 - gothic building characteristic |
| chiaroscuro | | ch. 9 - masaccio used for the first time in painting |
| giotto | | ch. 9 - brush strokes are left visible |
| corinthian | | ch. 4 - ____ art. simplicity of design/form |
| hopper | | Annunciation. 1333 |
| heavy | | ch. 10 - ____ renaissance. aesthetics, classical antiquity |
| calligraphy | | David. 1430-1432 |
| realism | | ch. 7 - center of christian activities. st. peter and st. paul |
| ionic | | Early Sunday Morning. 1930 |
| symbolic | | Pieta. 1499-1500 |
| color | | Full Fathom. 1947 |
| church | | Lamentation (The Pieta). 1305-1306 |
| gupta | | ch. 10 - Jan van ____. excelled at portraying light |
| kore | | ch. 3 - ____ artworks. distortion, emotional |
| michelangelo | | ch. 10 - unique feature of holbein's, french ambassadors |
| greek | | Christ Raising Lazarus from the Dead |
| light | | ch. 8 - ____ cross. vertical longer than horizontal |
| greek | | ch. 7 - ____ cross. four arms equal length |
| egyptian | | ch. 5 - ____ art. stylized, little detail, profile, simple form |
| leonardo | | ch. 2 - sculpture, cutting away |
| painting | | ch. 9 - strong contrast of dark and light values |
| willendorf | | ch. 8 - romanesque art associated with |
| giotto | | ch. 4 - dominant force in african tribal life/society |
| mannerism | | ch. 4 - great ____. housed in toda-ji |
| kouros | | The Studio. 1927-1928 |
| pieta | | ch. 6 - ____ balance, unity. greek art/life |
| casting | | ch. 9 - giorgione mastered in painting |
| paleolithic | | ch. 9 - dominant art form of the renaissance |
| greco | | Last Supper. 1495-1498 |
| bruegel | | ch. 5 - venus of ____. fertility and plentiful food |
| northern | | ch. 8 - 11th and 12th c. western europe art |
| woodblock | | ch. 7 - golden age of ____. 5th and 6th c. |
| principles | | ch. 2 - simplication of subject matter |
| cezanne | | ch. 4 - ____ printing. first encyclopedia |
| intellectual | | ch. 6 - greek art. female figure |
| gothic | | The Hunters in the Snow. 1565 |
| renaissance | | Campbell’s Soup Can. 1964 |
| eyck | | ch. 4 - scene of mary and christ. italian |
| aesthetics | | Reclining Figure Single-Leg. 1976-1977 |
| italian | | Peasant Wedding. 1566 |
| columbus | | View of Toledo. 1600-1610 |
| contraposto | | Giant Three-Way Plug. 1970 |
| figure | | ch. 2 - from a mold |
| romantic | | Birth of Venus. 1482 |
| baroque | | Mona Lisa. 1503-1506 |
