| Artist | | A line which shows or describes the edges, ridges or outline of a shape or form |
| Collage | | In a scene or artwork, the part that seems closest to the viewer |
| Mixed Media | | A change in form, shape, detail or appearance that makes an object different from others |
| Contrast | | The common name of a color in relation to the color spectrum, such as yellow, red, blue. Also known as Hue |
| Firing | | The part of the artwork that is most powerful, important or has the most influence on the viewer |
| Linear Perspective | | A hollow shape used to make one or many copies of an object |
| Rhythm | | A principle of design that describes the arrangement of parts of an artwork |
| Score | | Ceramic that has been fired once without being glazed |
| Contour | | The process of adding heat to clay object in order to harden it permanently |
| Foreground | | A form of visual rhythm created in an artwork by repeating two or more different artistic elements, one beside or near the other |
| Primary Colors | | A system of drawing used to give a flat surface dimension and depth that uses vanishing points |
| Variety | | The plan, organization, or arrangement of elements in a work of art |
| Cartoon | | A process used to get air out bubbles out of clay |
| Medium | | In painting, a thin layer of transparent paint. In ceramics, a thin coating of minerals fused to clay by firing |
| Color Wheel | | One of three basic colors (red, yellow, blue) that cannot be made by mixing any other color |
| Bisque | | A type of visual balance in which the two sides of a composition are different yet balanced |
| Mold | | The material and technique used by and artist to create a work of art. |
| Wedging | | A term used in art for the actual measurements of length, width, and depth |
| Secondary Colors | | An area of an artwork that attracts the viewer’s attention |
| Charcoal | | The background of an artwork |
| Composition | | A thin liquid applied to a surface to help prevent smearing, flaking or fading |
| Balance | | A work of art created by gluing bits of paper, fabrics, scraps, photographs, or other materials to a flat surface |
| Freehand | | Any three-dimensional object |
| Space | | A color made by mixing two equal amounts of two primary colors |
| Modeling | | The process and the result of thinking carefully about art |
| Value | | A feeling that all parts of a design are working together as a team |
| Portfolio | | The common name of a color in or related to the color spectrum |
| Background | | An element of art that means the darkness or lightness of a surface |
| Focal Point | | Any coloring matter, usually a fine powder, mixed with a liquid or binder to make paint, ink, dyes or crayons |
| Figure | | A large difference between two things: for example, rough and smooth, yellow and purple, and light and shadow. Contrast usually adds excitement |
| Form | | A gradual, smooth change, as in from light to dark, from rough to smooth, or from one color to another |
| Alternating | | A type of visual or actual movement in an artwork |
| Slip | | Colors that are directly opposite each other on the color wheel When complements are mixed together they make a neutral brown or gray |
| Complementary | | Parts of the artwork that appear to be in the distance or behind the objects in the foreground |
| Ceramics | | A general term for any shape or form that we see as part separate from the background |
| Sculpture | | A curricular chart of colors of the visible color spectrum. It is commonly used to remember color relationships when working with pigments |
| Fixative | | A mark created by a point that moves across a surface |
| Dimension | | A line, shape or texture created by putting paint on a surface with a paint brush |
| Pigment | | Area in a work of art that catches the eye of the viewer |
| Kiln | | A sample of an artist’s work |
| Ground | | To create, form or design something by arranging separate parts to create a whole |
| Art Criticism | | A soft drawing material made from charred wood or vines |
| Design | | A person skilled in creating artwork |
| Color | | Clay combined with water or vinegar, to form a thick liquid. Slip is used on scored areas of clay to join pieces of clay together |
| Media | | The relation of one object to another |
| Unity | | A full-sized drawing used as a plan for a painting, especially for a mural. It can also be a funny drawing that tells a story |
| Glaze | | An oven similar to a furnace used to fire ceramics |
| Asymmetrical | | The result of an artist’s means of expression – the use of materials, design qualities, methods of work, and choice of subject matter |
| Dominant | | The art of making artwork with clay |
| Gradation | | A drawing done without tracing paper or drawing tools such as a ruler or compass |
| Hue | | The empty or open area between, around, above, below, or within objects |
| Line | | A temporary show or display of a group of artworks |
| Style | | Any artwork that is made with more than one medium |
| Proportion | | In clay work, artists score groves or make scratched into surfaces of clay that will be joined |
| Matte | | A sculpture technique in which a three-dimensional form is shaped in a soft material such as clay |
| Brushstrokes | | A work of art with three dimensions |
| Exhibit | | Plural of medium. The materials used by an artist and the special techniques that make their use expressive |
| Emphasis | | Having a dull texture. Opposite of glossy and shiny. |