| Rhythm | | Used to help create an illusion of depth |
| Foreground | | Where shapes do not exist |
| Leading Lines | | Used to draw the viewers eye through the composition or to the main subject |
| Frame | | A composition that is most likely asymmetrical but does not feel unbalanced |
| Tension | | You should always make sure that your horizon line is |
| Vanishing Point | | The best type of composition to make sure your viewer can determine your main subject |
| Composition | | The edges of a photograph |
| Asymmetrical | | Can divide, unify, or accent certain parts of a composition |
| Diagonal Line | | Repeating of elements within an image that have a similar shape |
| Curved Line | | An image that is hard to determine the main subject |
| Horizon Line | | The front of the photo |
| Complex | | Two or more lines that travel in space at an equal distance from each other never touching |
| Parallel | | The center part of an image |
| Middle Ground | | A composition that is equal on both sides |
| Negative Space | | Where shapes exist |
| Background | | Has to do with the relationship of your subject to the edge of the frame |
| Symmetrical | | The compositional elements and the arrangement of them to achieve an effect |
| Main Subject | | Where the sky and the sea meet |
| Balance | | The object that is the center of your photograph. What your photograph is 'about' |
| Straight | | The point at which parallel lines, viewed from an angle appear to converge. |
| Simple | | Used to draw the viewers eye through the composition or to the main subject |
| Positive Space | | A composition that is not equal on both sides |
| Lines | | The back part of the photograph |