Fogged		Used to take photographs
Light Trap		Where photographs are made
Tongs		Used to print photographs
Emulsion		The darkest tone in a print
Darkroom		Keeps photographic paper from being exposed until you are ready
White		Used to move photographic paper from one tray to another
Negative		Removes excess silver from your film and photographic paper
Paper Safe		A place in the enlarger to put the negatives
Filters		Hidden image on the photographic paper before developing
Stop Bath		Used to process your film
Safe Light		An adjustment tool on the enlarger
F-stop		The emulsion side of a negative is
Overexposed		Light that will not expose your photographic paper
Fixer Remover		Ensures that your film will not be exposed to light in the developing tank
Test Strip		Necessary for consistent exposure time
Emulsion Down		Plastic strips with images embedded on them
Underexposed		The lightest tone in a print
Light Trap		Helps to ensure a clean, archival final print
Developing Tank		Stops the developing process
Developer		A glass easel that holds your photographic paper during exposure while making a contact sheet
Carrier		Used to block light from entering the darkroom
Dull		Graded from 00 to 5
Film		Too much light on the print
Black		Holds your photographic paper during exposure
Enlarger		Liquid used to develop an image
Latent		Small piece of paper used to work out exposure time
Grey		The light in the classroom
Camera		Not enough light on the print
Timer		When paper is exposed to light prior to intentional exposure
Contact Printer		Opposite of a positive
Fixer		Tonal value between black and white
White		Light sensitive chemical found on photographic film and paper
Easel		Negatives in the negative carrier face this way