| WOOD | | something used to hold two other pieces together like tape or glue |
| PAPIER MACHE | | a sculpture that can be seen from all sides |
| FREESTANDING | | female artist who used found objects and put them together; she used color to unify them |
| MOBILE | | the feel of the sculpture surface |
| CASTING | | paper and glue in layers to create a 3D object |
| CONSTRUCTION | | American artist who invented the mobile |
| GLASS | | Renaissance sculptor who believed there was a figure in every stone |
| TEXTURE | | sculpture that moves |
| NEVELSON | | Pouring liquid into a mold to make an exact likeness of the mold |
| STABILE | | gold, silver, bronze, copper, brass, stainless steel |
| MOORE | | a sculpture that is meant to be seen from one side only |
| MICHELANGELO | | sculpture that doesn't move |
| ADDITIVE | | carve; to take away from the media to make sculpture |
| METAL | | marble, granite, quartz, rock |
| SUBTRACTIVE | | to put together media that will stay by itself like clay |
| BINDER | | the 3D element that sculpture uses |
| RELIEF | | this media comes from trees |
| FORM | | British sculptor who did simplified sculptures; favorite subject was reclining females |
| CALDER | | silica melts to form this |
| STONE | | assembling/putting together media with a binder |