Saturation		Between subject and camera
Dodging		Series of shots where f-stop and/or speed are adjusted
Aperature		Positive image
Processing		Scattering light to soften detail
Camera Angles		Print of your negatives
Panning		Photo emulsion on transparent base
Burning in		Camera adjusts to proper focus on its own
Contrast		Developing, fixing, and washing
Braketing		Controls time at which light reaches film
Diffusing		Light is behind subject
Archivability		Broad view
Tone		Various positions of a camera effecting view
Autofocus		Scene behind the subject
Close up		Subject is close
Panorama		Acid rinse
Backlighting		Attribute of perceived color
Shutter		Micro-thin layers of gelatin
Variable contrast paper		3-legged, holds camera
Film		Unposed pictures
Graininess		Lightness or darkness
Darkroom		Lens opening
Tripod		Creates harmony and equilibrium
Double Exposure		Tapes that resist shredding
Background		Blow up
Foreground		Add more light to a particular section while printing
Depth of Field		Darkroom lamp
Contact Print		Range of light to dark
Lens		Holding some light back
Enlargement		Size of lens opening
F-stop		Pleasing arrangement
Filter		Low in contrast
Composition		One or more pieces of optical glass
Latent Image		Distance b/w nearest and farthest objects in focus
Flat		Sand-like appearance
Balance		Lighttight area for processing films
Developer		Emulsion speed
ISO Speed		Invisible image
Safelight		Increase contrast or changes color density
Stop Bath		Solution that makes latent image visible
Negative		Moving the camera with the subject
Print		Sandwiched negatives
Emulsion		Reversed tone image of original scene
Cropping		Blow up section for better composition
Candid Pictures		Photo paper with multiple grades