| Vespers | | Plagal mode of the third authentic church mode |
| church | | Last name of the principal composer of the Italian Ars Nova |
| phrygian | | Liturgy of the hours prayed before the evening meal |
| duplum | | The fourth part of the ordinary of the Mass, "Holy, Holy, Holy" |
| mixolydian | | Secular musicians from the Southern part of France |
| Matins | | The Catholic church service |
| Trouveres | | The first part of the ordinary of the Mass, "Lord have mercy"; two words |
| ordinary | | Text written for the Mass which is the same week after week |
| vocal | | The second part of the ordinary of the Mass, "Glory to God in the highest"; Four words |
| hypodorian | | The early church music was written in symbols called _____________. |
| plagal | | Liturgy of the hours prayed at mid-afternoon, around 3 PM |
| vespers | | Liturgy of the hours prayed just after midnight |
| Troubadours | | Music where two or more melodic lines are played or sung |
| Prime | | Fourth authentic church mode |
| proper | | The number of church modes, authentic and plagal |
| lydian | | Succeeded Leonin in his post, revised and added to Leonin's works |
| Lauds | | The fifth part of the ordinary of the Mass, "Lamb of God"; Two words |
| melisma | | Type of music which developed as the vocal lines became freer |
| Terce | | A singing technique where a vowel is sustained over several notes |
| Credoinunumdeum | | Each of the four church modes occurs in two different versions, the authentic and the __________. |
| dorian | | Liturgy of the hours prayed at cock-crow |
| hypomixolydian | | Third authentic church mode |
| organum | | Liturgy of the hours prayed at sunrise |
| Gregorian | | From the French word for "to hold", the long sustained foundation note |
| polyphony | | Liturgy of the hours prayed at mid-morning, around 9 AM |
| Requiem | | Plagal mode of the Second authentic church mode |
| Machaut | | Liturgy of the hours prayed at noon |
| tenor | | Earliest polyphony, created by adding a second voice part to a chant |
| neumes | | The two most important institutions of the Middle ages were the fuedal system and this. |
| Sanctus | | Liturgy of the hours prayed before going to bed |
| eight | | Choirmaster of Notre Dame Cathedral |
| hymn | | The second voice added above the foundation note |
| Kyrieeleison | | Second authentic church mode |
| Mass | | Plagal mode of the fourth authentic church mode |
| None | | The third part of the ordinary of the Mass, "We believe in one God...:; Four words |
| Perotin | | The plagal mode of the first authentic |
| Landini | | The early church music was known as plainchant or ___________ chant. |
| hypolydian | | The mass for the dead is often known as the ____________ Mass |
| motet | | First authentic church mode |
| Gloriainexcelsisdeo | | Religious music in the Middle Ages was almost entirely ____________, or sung. |
| Sext | | Last name of the principal composer of the Ars Nova style |
| Leonin | | Secular musicians from the Northern part of France |
| Agnusdei | | Music written in strophic form and based on folk tunes, meant to be sung by a congregation |
| hypophrygian | | The most musically elaborate of the Liturgy of the Hours |
| Compline | | Text written for the Mass which changes depending on the particular feast day |